{"id":2589,"date":"2026-02-24T23:23:46","date_gmt":"2026-02-24T20:23:46","guid":{"rendered":"https:\/\/www.zehrataskin.com\/?p=2589"},"modified":"2026-02-26T14:31:03","modified_gmt":"2026-02-26T11:31:03","slug":"ortak-bir-whiplash-okumasi-asinarak-parlamak","status":"publish","type":"post","link":"https:\/\/www.zehrataskin.com\/index.php\/2026\/02\/24\/ortak-bir-whiplash-okumasi-asinarak-parlamak\/","title":{"rendered":"Ortak bir whiplash okumas\u0131: A\u015f\u0131narak parlamak"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Benim sesimden dinlemek isterseniz buradan: <a href=\"https:\/\/www.youtube.com\/watch?v=Ino0E3XgWAU\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.youtube.com\/watch?v=Ino0E3XgWAU<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Saat 21.30. E\u015fimle her g\u00fcn bir dizi b\u00f6l\u00fcm\u00fc izleme al\u0131\u015fkanl\u0131\u011f\u0131m\u0131zdan sebep <a href=\"https:\/\/www.imdb.com\/title\/tt4236770\/\" target=\"_blank\" rel=\"noreferrer noopener\">Yellowstone<\/a>\u2019un bir b\u00f6l\u00fcm\u00fcn\u00fc izledik. Yine atlara duydu\u011fumuz hayranl\u0131\u011f\u0131 katlad\u0131k. Baz\u0131 canl\u0131lar bu d\u00fcnya i\u00e7in \u00e7ok g\u00fczel. Varl\u0131klar\u0131 d\u00fcnyan\u0131n g\u00fczel oldu\u011funun kan\u0131t\u0131 gibi. K\u0131ssadan hisse at seviyoruz ve sadece \u015fu atlar i\u00e7in bile bu diziyi sonuna kadar izleyebiliriz (inan\u0131n at konusu bir yere ba\u011flanacak son paragrafta). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Neyse b\u00f6l\u00fcm bitti. Instagram\u2019da story kayd\u0131rd\u0131m biraz. Tolga Y\u0131ld\u0131z Hocan\u0131n story\u2019lerinde son yaz\u0131s\u0131ndan bir al\u0131nt\u0131 vard\u0131. Al\u0131nt\u0131 \u201cWhiplash\u201d diye ba\u015fl\u0131yordu. G\u00f6z\u00fcm d\u00f6nd\u00fc ve yaz\u0131y\u0131 a\u00e7t\u0131m.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023\u2019te Whiplash\u2019i izledi\u011fim g\u00fcn d\u00fc\u015f\u00fcnceler parmaklar\u0131m\u0131n ucundan nas\u0131l akt\u0131ysa, saat 22.15 itibariyle \u015fu anda da ayn\u0131 \u015fey oluyor. Aradan ge\u00e7en zamanda \u00e7ok \u015fey de\u011fi\u015fti. Ben de\u011fi\u015ftim. Asla \u00f6yle olmayaca\u011f\u0131m dedi\u011fim karakterin tersi olman\u0131n da ne kadar yorucu oldu\u011funu \u00f6\u011frendi\u011fim bir s\u00fcre\u00e7ten ge\u00e7erken bu yaz\u0131y\u0131 okumak beklemedi\u011fim kadar iyi geldi. Bu iki, hatta \u00fc\u00e7 yaz\u0131 aras\u0131ndaki paralellikler beni yeniden yazmaya zorlad\u0131. \u00d6nce merakl\u0131lar\u0131 i\u00e7in o yaz\u0131lar\u0131n linkleri:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Tolga Y\u0131ld\u0131z, <a href=\"https:\/\/tiyatrodergisi.com.tr\/sahne-sanatlari-egitiminde-sinirlar-yanilsamalar-ve-kurumsal-donusum-ihtiyaci\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sahne Sanatlar\u0131 E\u011fitiminde S\u0131n\u0131rlar, Yan\u0131lsamalar ve Kurumsal D\u00f6n\u00fc\u015f\u00fcm \u0130htiyac\u0131<\/a>, 22 \u015eubat 2026<\/li>\n\n\n\n<li>Tolga Y\u0131ld\u0131z, <a href=\"https:\/\/www.tolgayildiz.org\/2015\/02\/whiplashin-iki-yuzu.html\" target=\"_blank\" rel=\"noreferrer noopener\">Whiplash\u2019in iki y\u00fcz\u00fc<\/a>, 19 \u015eubat 2015<\/li>\n\n\n\n<li>Zehra Ta\u015fk\u0131n, <a href=\"https:\/\/www.zehrataskin.com\/index.php\/2023\/12\/11\/whiplash-rehber-olmak-insan-onuru-ve-kutsanan-begenmezlik-uzerine\/\" target=\"_blank\" rel=\"noreferrer noopener\">Whiplash: Rehber olmak, insan onuru ve kutsanan be\u011fenmezlik \u00fczerine<\/a>\u2026 11 Aral\u0131k 2023<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Bu \u00fc\u00e7 yaz\u0131y\u0131 art arda okuyunca fark etti\u011fim \u015fey ayn\u0131 film \u00fczerine yaz\u0131lm\u0131\u015f olmalar\u0131n\u0131n yan\u0131nda ayn\u0131 yap\u0131n\u0131n farkl\u0131 zamanlarda, farkl\u0131 kelimelerle, ama neredeyse ayn\u0131 yerinden yakalanm\u0131\u015f olmas\u0131yd\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ben 2023\u2019te Whiplash \u00fczerine yazarken Fletcher\u2019\u0131n be\u015f be\u011fenmezli\u011fini yazm\u0131\u015ft\u0131m. \u00c7\u00fcnk\u00fc filmde beni en \u00e7ok sarsan \u015fey eleme prati\u011finin bir pedagojik y\u00f6ntem gibi sunulmas\u0131yd\u0131. Bir \u00f6\u011frenciyi geli\u015ftirmenin temele al\u0131nmad\u0131\u011f\u0131, onlar\u0131 yaln\u0131zca s\u0131namak i\u00e7in kurulmu\u015f bir d\u00fczen vard\u0131. Andrew\u2019un kendini tehlikede hissetmesi i\u00e7in ba\u015fka bir \u00f6\u011frencinin kariyerinin g\u00f6z k\u0131rpmadan harcanabildi\u011fi bir d\u00fczen. \u0130nsanlar\u0131n potansiyelleri yerine dayan\u0131kl\u0131l\u0131klar\u0131yla \u00f6l\u00e7\u00fcld\u00fc\u011f\u00fc bir d\u00fczen. Orada i\u015fleyen mekanizma pedagojiden \u00e7ok se\u00e7ilimdi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tolga Hoca&#8217;n\u0131n 2015\u2019te yazd\u0131\u011f\u0131 metne d\u00f6nd\u00fc\u011f\u00fcmde ayn\u0131 yap\u0131n\u0131n daha geni\u015f bir \u00e7er\u00e7evede tarif edildi\u011fini g\u00f6rd\u00fcm. Orkestra sadece m\u00fczik anlam\u0131na gelmiyordu. Bir \u00e7al\u0131\u015fma \u00f6rg\u00fctlenmesiydi. Bir piyasa prototipiydi. Ve o piyasan\u0131n i\u00e7inde ba\u015far\u0131 i\u00e7in yetenek yetmiyordu. Karakterin ve hatta bedenin a\u015f\u0131nmas\u0131yla anlam kazan\u0131yordu. Ba\u015fki\u015finin nas\u0131rl\u0131 parmaklar\u0131 bir d\u00f6n\u00fc\u015f\u00fcm\u00fcn iziydi. Adanma ile \u00e7al\u0131\u015fma aras\u0131ndaki ili\u015fkinin; sonunda \u00e7al\u0131\u015fma d\u00fczenine ba\u011flanan geriliminin iziydi. O gerilimden \u00e7\u0131kan ate\u015f de bir ba\u015fkas\u0131n\u0131n (kurumun\/piyasan\u0131n) oca\u011f\u0131n\u0131 \u0131s\u0131tmak i\u00e7in kullan\u0131l\u0131yordu. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Benim yaz\u0131mda bu s\u00fcre\u00e7 insan onuru \u00fczerinden g\u00f6r\u00fcn\u00fcr olmu\u015ftu. Fletcher\u2019\u0131n y\u00f6ntemlerinden nefret etmi\u015ftim. \u00c7\u00fcnk\u00fc a\u015fa\u011f\u0131lamay\u0131 pedagojik bir ara\u00e7 gibi kullanan, tan\u0131nmay\u0131 bir \u00f6d\u00fcl mekanizmas\u0131na d\u00f6n\u00fc\u015ft\u00fcren bir ili\u015fkiyi rehberlik olarak kabul etmiyordum. Tolga Hoca&#8217;n\u0131n yaz\u0131s\u0131nda ise ayn\u0131 s\u00fcre\u00e7 adanma ve \u00e7al\u0131\u015fma aras\u0131ndaki ili\u015fki \u00fczerinden anlat\u0131l\u0131yordu. Adanm\u0131\u015fl\u0131k bireysel bir \u00e7a\u011fr\u0131yd\u0131. \u00c7al\u0131\u015fma ise o \u00e7a\u011fr\u0131y\u0131 \u00f6l\u00e7en, s\u0131n\u0131rlayan ve tan\u0131yan bir d\u00fczendi. Bu \u00fc\u00e7 metnin kesi\u015fti\u011fi yer buras\u0131yd\u0131. Kurumsalla\u015fm\u0131\u015f bir be\u011fenilme arzusu ile bireyin kendi varolu\u015fsal onuru aras\u0131ndaki gerilim.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fletcher\u2019\u0131n \u201cAferin d\u00fcnyadaki en tehlikeli kelimedir\u201d c\u00fcmlesi bir pedagojik tercih de\u011fildi. Bir d\u00fczenin kendini yeniden \u00fcretme bi\u00e7imiydi. Tan\u0131nman\u0131n sak\u0131n\u0131ld\u0131\u011f\u0131, eksikli\u011fin s\u00fcrekli hat\u0131rlat\u0131ld\u0131\u011f\u0131, varl\u0131\u011f\u0131n ko\u015fullu hale getirildi\u011fi bir d\u00fczen. 2026\u2019daki yaz\u0131da sahne sanatlar\u0131 e\u011fitimi \u00fczerinden tart\u0131\u015f\u0131lan s\u0131n\u0131rlar ve yan\u0131lsamalar, benim y\u0131llar \u00f6nce \u201ckutsanan be\u011fenmezlik\u201d diye adland\u0131rd\u0131\u011f\u0131m \u015feyin kurumsal kar\u015f\u0131l\u0131\u011f\u0131yd\u0131. Ayn\u0131 mant\u0131k. Ayn\u0131 yap\u0131. Ayn\u0131 sessiz mutabakat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yellowstone\u2019daki atlar\u0131 izlerken hissetti\u011fim hayranl\u0131\u011f\u0131 \u015fimdi yeniden d\u00fc\u015f\u00fcn\u00fcyorum. Belki de hayran kald\u0131\u011f\u0131m \u015fey \u00f6zg\u00fcrl\u00fck de\u011fil. Disiplinin g\u00f6r\u00fcnmez hale gelmi\u015f hali. Ko\u015fmalar\u0131 do\u011fal g\u00f6r\u00fcn\u00fcyor. Ak\u0131\u015flar\u0131 kendili\u011finden. Ama o ak\u0131\u015f\u0131n arkas\u0131nda y\u0131llar\u0131n e\u011fitimi, y\u00f6nlendirmesi ve sessiz bir itaat var. Ve belki de bizi b\u00fcy\u00fcleyen \u015fey tam olarak bu: zorlanman\u0131n g\u00f6r\u00fcnmez hale gelmesi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tam da burada sembolik \u015fiddetin ona maruz kalanlar\u0131n onu \u015fiddet olarak tan\u0131mamas\u0131n\u0131 sa\u011flayacak kadar incelmi\u015f bir \u015fiddet bi\u00e7imi oldu\u011funu hat\u0131rl\u0131yorum. Whiplash\u2019ta da g\u00f6rd\u00fc\u011f\u00fcm\u00fcz tam olarak buydu. \u015eiddetin bir metot, bir disiplin ya da bir m\u00fckemmellik aray\u0131\u015f\u0131 olarak ambalajlanmas\u0131. Maruz kalan\u0131n, kendi a\u015f\u0131nmas\u0131n\u0131 bir parlama zannederek bu s\u00fcrece g\u00f6n\u00fcll\u00fc dahil olmas\u0131\u2026 A\u015f\u0131nman\u0131n ba\u015far\u0131 olarak g\u00f6r\u00fcnmesi. Zorlanman\u0131n adanm\u0131\u015fl\u0131k olarak okunmas\u0131. Sessiz itaatin tutku olarak adland\u0131r\u0131lmas\u0131. Ba\u015far\u0131y\u0131 ac\u0131 \u00e7ekmekle e\u015fitleyen anlat\u0131 bu y\u00fczden bu kadar g\u00fc\u00e7l\u00fc. \u00c7\u00fcnk\u00fc kendini bask\u0131 olarak de\u011fil de geli\u015fim olarak sunuyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tolga Hoca ile ayn\u0131 yerde durdu\u011fumu g\u00f6rmek entelekt\u00fcel bir tesad\u00fcften \u00e7ok ayn\u0131 yap\u0131n\u0131n i\u00e7inden ge\u00e7erken, ayn\u0131 k\u0131r\u0131lma noktalar\u0131n\u0131 tan\u0131maktan geliyor gibi hissettim. Belki de konu hi\u00e7bir zaman en ba\u015far\u0131l\u0131y\u0131 bulmak de\u011fil. \u0130nsan\u0131n kendi varl\u0131\u011f\u0131n\u0131 kan\u0131tlamak zorunda kalmad\u0131\u011f\u0131 bir alan\u0131n m\u00fcmk\u00fcn olup olmamas\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Saat \u015fu an 23.23. Yellowstone\u2019daki atlar muhtemelen hala ko\u015fuyor. Ko\u015fmalar\u0131 g\u00fczel. Ama art\u0131k o g\u00fczelli\u011fe ayn\u0131 yerden bakam\u0131yorum. \u00c7\u00fcnk\u00fc o ak\u0131\u015f\u0131n ard\u0131nda sadece g\u00fc\u00e7 yok. Y\u0131llar\u0131n y\u00f6nlendirmesi, s\u0131n\u0131rland\u0131rmas\u0131 ve \u015fekillendirmesi var. Bizi b\u00fcy\u00fcleyen \u015feyin kendili\u011findenlik oldu\u011fu hissi, \u00e7o\u011fu zaman o kendili\u011findenli\u011fin nas\u0131l \u00fcretildi\u011fini g\u00f6r\u00fcnmez k\u0131l\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Whiplash\u2019ta, orkestralarda, s\u0131n\u0131flarda ve hayat\u0131n ba\u015fka alanlar\u0131nda tekrar tekrar kar\u015f\u0131ma \u00e7\u0131kan \u015fey potansiyelin a\u015f\u0131nmayla s\u0131nand\u0131\u011f\u0131 bir d\u00fczen. Oysa insan\u0131n varolu\u015fsal potansiyelinin ortaya \u00e7\u0131kmas\u0131 i\u00e7in k\u0131r\u0131lmas\u0131 gerekmez. A\u015fa\u011f\u0131lanmas\u0131 gerekmez. S\u00fcrekli s\u0131nanmas\u0131 gerekmez. Potansiyel, ancak haysiyetle ve ne\u015feyle var olabilir. Belki de arad\u0131\u011f\u0131m\u0131z \u015fey tam olarak bu. Tolga Hoca&#8217;n\u0131n dedi\u011fi gibi &#8220;\u0130nsan\u0131n varolu\u015fsal potansiyelini haysiyetle ve ne\u015feyle a\u00e7\u0131\u011fa \u00e7\u0131karan bir e\u011fitim d\u00fczeni&#8221;. M\u00fcthi\u015f. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">B\u0130r saatte bunca \u015feyi yazd\u0131ranlar\u0131n\u0131z bol olsun kom\u015fular. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">* Zaman bulursam bunu da okur, kaydeder ve okumaya \u00fc\u015fenenler i\u00e7in youtube kanal\u0131ma y\u00fcklerim. \u00c7\u00fcnk\u00fc bunlar\u0131 size yapay zekan\u0131n donuk ak\u0131\u015f\u0131 ile de\u011fil de benim sesimden dinletmek de ayr\u0131 ho\u015fuma gidiyor :=)   <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Benim sesimden dinlemek isterseniz buradan: https:\/\/www.youtube.com\/watch?v=Ino0E3XgWAU Saat 21.30. E\u015fimle her g\u00fcn bir dizi b\u00f6l\u00fcm\u00fc izleme al\u0131\u015fkanl\u0131\u011f\u0131m\u0131zdan sebep Yellowstone\u2019un bir b\u00f6l\u00fcm\u00fcn\u00fc izledik. Yine atlara duydu\u011fumuz hayranl\u0131\u011f\u0131&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/www.zehrataskin.com\/index.php\/2026\/02\/24\/ortak-bir-whiplash-okumasi-asinarak-parlamak\/\">Devam\u0131n\u0131 okuyun<span class=\"screen-reader-text\">Ortak bir whiplash okumas\u0131: A\u015f\u0131narak parlamak<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-2589","post","type-post","status-publish","format-standard","hentry","category-genel","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/posts\/2589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/comments?post=2589"}],"version-history":[{"count":2,"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/posts\/2589\/revisions"}],"predecessor-version":[{"id":2593,"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/posts\/2589\/revisions\/2593"}],"wp:attachment":[{"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/media?parent=2589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/categories?post=2589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zehrataskin.com\/index.php\/wp-json\/wp\/v2\/tags?post=2589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}